![]() What was the intention behind that switch? But later in the film, Marisol uses it as a rallying cry to bring her fellow prisoners together. The first time we hear it, these very brutal coyotes are using it to taunt a Central American boy. I was really interested in how the Mexican national anthem is used in this movie. I wanted to showcase every inch of what I’m feeling. Since making El Gigante five years ago, how did your perspective change on the border-crossing story you wanted to tell?Īt that time for El Gigante, I was like, “What is my voice in the genre? Okay, I’m a Tex-Mex grindhouse chica! I’m gonna go crazy! Here’s a really fun border-crossing story with Mexican cannibals! Let’s just give fans some fun without making the biggest message.” But as I grew up and matured and really finessed my voice as a storyteller, the moment I read the Culture Shock script, I had a lot of heart and emotion, and I had a lot of anger, too. You’re in your own little Mexico.” It’s because of that I felt it’s my responsibility to share as much of where I come from as possible. When we moved from Mexico to Canada, my parents would always say, “When you walk back in this house, you speak Spanish. We’re very spiritual people, and it’s something I never want to lose. We have so much in our folklore, our legends. And from a Hispanic point of view, we don’t get that many opportunities, but I think we’re slowly in a wave of new Latin horror filmmakers that I feel very lucky to be part of.Īnd Mexico has an incredible tradition of horror cinema. As an immigrant myself, I understand the struggle for anybody that emigrates to another country. Not just for its timeliness, but I really related to it in a much more personal way. But it felt like Culture Shock was the right one. I made a short film called El Gigante in 2014. I’ve been trying to tap into a border-crossing story since I was 21. How long have you had this particular story in your head? ![]() “These posters are so creepy, and I was like, ‘This is an opportunity to do Pleasantville gone wrong.’” ![]() “When I read this script, it didn’t quite say what America felt like,” says Guerrero, who drew inspiration for the uncanny Cape Joy from World War II propaganda materials that advertised American exceptionalism. After she’s captured by an unknown collective, Marisol ends up in the idyllic American town of Cape Joy, but this victory garden come to life is just a facade for a sinister behind-the-scenes operation where men, women, and children are tied up, tube fed, and treated worse than lab rats. from Mexico despite one tragically failed earlier attempt. Directed by Gigi Saul Guerrero, who co-wrote the script with James Benson and Efrén Hernández, the film tells a harrowing border-crossing story about a pregnant woman named Marisol (Martha Higareda), who’s determined to sneak into the U.S. Photo: Richard Foreman/HuluĬulture Shock, the latest installment of Blumhouse’s Into The Dark anthology on Hulu, feels like it was pulled straight out of the Purge universe. Martha Higareda as Marisol in Into the Dark’s Culture Shock. ![]()
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